Lugts division of the rhetorical structure into cantos and strophes. A quantitative structural approach also helps to identify the focal message of the poems. As in modern poetry, strophes in biblical Hebrew poetry do not have to be groups. The formal devices include quantitative balance on the level of cantos in terms of the number of verselines, verbal repetitions and transition markers. Van der Lugt, P., 2006, Cantos and strophes in Biblical Hebrew poetry with special reference to the.
Formal and thematic devices demonstrate that the psalms are composed of a consistent pattern of cantos (stanzas) and strophes. Henk Potgieter1 1Department of Ancient Languages. The rhetorical analyses of Psalms 1-41 are preceded by a broad survey of the history of strophic investigation into Hebrew poetry, starting from the beginning of the nineteenth century. Formal and thematic devices demonstrate that the psalms are composed of a consistent pattern of canto This volume deals with the poetic framework and material content of the book of Psalms. Cantos and Strophes in Biblical Hebrew Poetry, with special reference to the First Book of the Psalter (Old Testament Studies 53), Leiden/Boston: Brill, 2006. In Strophe IIIa, the Psalmist calls himself YHWH’s servant, v. 21-24) introduce a new polemic into the psalm. It is demonstrated that these poems exhibit a consistent pattern of. The rhetorical analyses of Psalms 1-41 are preceded by a broad survey of the history of strophic investigation into Hebrew poetry, starting from the beginning of the nineteenth century. 17-48): The Choice between the Two Ways Canto II (vv. Rhetorical Criticism and the Poetry of the Book of Job deals with the structure and meaning of the poems we find in Job 3-42, 6.
This volume deals with the poetic framework and material content of the book of Psalms.
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